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''Quills'' is a 2000 period film directed by Philip Kaufman and adapted from the Obie award-winning play by Doug Wright, who also wrote the original screenplay. Inspired by the life and work of the Marquis de Sade, ''Quills'' re-imagines the last years of the Marquis' incarceration in the insane asylum at Charenton. It stars Geoffrey Rush as the Marquis de Sade, Joaquin Phoenix as the Abbé du Coulmier, Michael Caine as Dr. Royer-Collard, and Kate Winslet as laundress Madeleine "Maddie" LeClerc. Well received by critics, ''Quills'' garnered numerous accolades for Rush, including nominations for an Oscar, BAFTA and a Golden Globe. The film was a modest art house success, averaging $27,709 per screen its debut weekend, and eventually grossing $17,989,277 internationally. Cited by historians as factually inaccurate, ''Quills'' filmmakers and writers said they were not making a biography of de Sade, but exploring issues such as censorship, pornography, sex, art, mental illness, and religion. It was released with an 18 rating from the British Board of Film Classification due to "strong horror, violence, sex, sexual violence, and nudity".〔 ==Plot== ''Quills'' begins during the Reign of Terror, with the incarcerated Marquis de Sade penning a story about the libidinous Mademoiselle Renard, an aristocrat who meets the preeminent sadist in her executioner. Several years later, the Marquis is confined to the asylum at Charenton, overseen by the enlightened Abbé du Coulmier. The Marquis has been publishing his work through laundress Madeleine "Maddy" LeClerc, who smuggles manuscripts through an anonymous horseman to a publisher. The Marquis' latest work, ''Justine'', is published on the black market to great success. Emperor Napoléon I Bonaparte orders all copies of the book burned and the author shot, but his advisor, Delbené, tempers this contentious idea with one of his own: send traditionalist Dr. Royer-Collard to look in at Charenton and silence the Marquis. Meanwhile, the Abbé teaches Madeleine to read and write and resists his growing attraction to her. Dr. Royer-Collard arrives, informing the Abbé that the Marquis' "therapeutic writings" have been distributed for public consumption. Horrified, the Abbé rejects Royer-Collard's offers of several archaic "treatments" and asks to speak with the Marquis himself, who promptly swears obedience (winking at Madeleine through a peephole). Royer-Collard takes his leave for the time being and travels to the Panthemont Convent in Paris to retrieve his promised bride, the underage Simone. They are given a run-down chateau by the Emperor, with a handsome young architect, Prioux, on hand for its renovation. The hasty marriage incites much gossip at the asylum, prompting the Marquis to write a farce to be performed at a public exhibition. The audacious play, titled "''The Crimes of Love''", is interrupted when the inmate Bouchon molests Madeleine off-stage, prompting her to hit him in the face with an iron. Royer-Collard shuts down the public theater and demands that the Abbé do more to control the Marquis. Infuriated, the Abbé confiscates the Marquis' quills and ink, prompting more subversive behavior, including a story written in wine on bedsheets and in blood on clothing. This results in further deprivation, eventually leaving the Marquis naked in an empty cell. One of the maids reveals that Madeleine has been helping the Marquis. Madeleine is whipped on the order of Dr. Royer-Collard until the Abbé stops him by offering himself instead and declaring that she will be sent away. That night she visits his chamber to beg him to reconsider sending her away and confesses her love for him in the process, prompting him to kiss her passionately. He abruptly breaks away at the realization of what he is doing. Meanwhile, Royer-Collard violently rapes Simone on their wedding night, and keeps her as a virtual prisoner. She purchases a copy of ''Justine'', seduces Prioux, and the young lovers run off together. She leaves behind a letter explaining her actions and her copy of ''Justine''. Upon finding this, Royer-Collard seizes on the Marquis as the source of his troubles and embarks upon a quest for revenge. About to be sent away from Charenton for her role in assisting the Marquis, Madeleine begs a last story from him, which is to be relayed to her through the asylum patients. Bouchon, the inmate at the end of the relay, is excited by the story, breaks out of his cell, and kills Madeleine. The asylum is set afire by the pyromaniac Dauphin and the inmates break out of their cells. Madeleine's body is found by her blind mother and the Abbé in the laundry vat. The Abbé is devastated by Madeleine's death and Bouchon is captured and imprisoned inside an iron dummy. The Abbé blames the Marquis for Madeleine's death and prods him into a fury. The Marquis claims he had been with Madeleine in every way imaginable, only to be told she had died a virgin. The Abbé cuts out the Marquis' tongue as punishment for his involvement. The Abbé then has a dream in which he has sex with Madeline's corpse. The Marquis' health declines severely, but he remains perverse as ever, decorating his oubliette with a story, using feces as ink. As the Marquis lays dying, the Abbé reads him the last rites and offers him a crucifix to kiss. The Marquis defiantly swallows the crucifix and chokes to death on it. A year later, the new Abbé arrives at Charenton and is given the grand tour. The asylum has been converted into a print shop, with the inmates as its staff. The books being printed are the works of the Marquis de Sade. At the end of the tour, the new Abbé meets his predecessor, who resides in the Marquis' old cell. Yearning to write, he begs paper and a quill from the new Abbé, who is herded off by Royer-Collard, now overseer of the asylum. However, the peephole opens, and Madeleine's mother thrusts paper, quill, and ink through. The Abbé begins to scribble furiously, with the Marquis providing the narration. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Quills」の詳細全文を読む スポンサード リンク
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